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"Can Mary and me stay up to watch the late show?" How many of us asked that innocent question, or a reasonable facsimile of it, at some point during our childhood, only to be chided by a well-meaning—and correct—parent or teacher: "You mean Mary and I."
The trouble is, some people were corrected so often, or at such tender and impressionable stages of development, that to this day they harbour a suspicion, even a phobia, about saying "so-and-so and me." It’s as if some broom or ruler were forever looming over their heads, ready to smite them when they utter the dreaded me.
You may think I overdramatize. But I once taught a grammar workshop to a group of federal government managers, one of whom said, after we had spent maybe fifteen minutes on the difference between subject and object forms of pronouns,
"I’ve always known that it’s sometimes correct to write ‘The director and me.’ But even when I know it’s right, I can’t bring myself to do it. It just feels wrong. So I always rewrite the sentence so I can use ‘The director and I’ instead."
For people like her (not she) who are uncertain or plain uncomfortable about using pronouns, here’s a rundown of three constructions that may baffle us (not we) writers from time to time.
"Mary and I" and "the director and me" are compound structures. Compounds that include pronouns are often bewildering, even when the pronouns are not I or me.
There’s a simple way to figure out the correct pronoun in a compound. Try using the pronoun in the sentence by itself, without the other part of the compound.
The grammatical explanation is that I is the subject form of the first-person pronoun, and in the first sentence above, Mary and I are subjects. Me is the object form. In the second sentence, me is the object of a preposition (to); in the third, it’s the object of a verb (will escort).
Once you know how to break compounds down, they aren’t that difficult. Yet even people who know the method occasionally come up with sentences like this:
The sentence should read "please contact the director or me," because me is the object of the verb contact (please contact me). But, like the government manager who fessed up to her fears, some people shy away from me and use myself instead, thinking it’s more formal. Sadly, it’s just wrong. Myself, like all the other -self/-selves pronouns, has two main uses: as an emphatic pronoun (I myself disagree, you yourself know) and as a reflexive pronoun (I pinched myself, they hurt themselves). Neither use fits the sentence above.
What’s the hands-down winner for most misused compound? It’s not empirically proven, but I would vote for that favourite of popular songwriters and neighbourhood gossips, "between you and I." No matter how many times you’ve heard this phrase, no matter how natural it sounds, it’s just plain wrong. The correct wording is "between you and me." Between is a preposition, and like all prepositions it needs an object.
Prepositions, or the idea of them, can get writers into trouble when it comes to comparisons. We introduce comparisons with the words than or as. Prepositions, right? Automatically followed by objects?
Not so. Than and as, when used in comparisons, are subordinating conjunctions, not prepositions. They begin dependent (subordinate) clauses. In our everyday comparisons, these clauses are often missing words, which makes it hard to know which pronoun form to use. The best way to figure out the pronoun is to imagine the comparison in full, with all its words in place.
As you can see from the last sentence, pronoun choice can be a touchy business. Use the wrong form and you risk misleading, if not offending. In formal prose it’s often worth writing comparisons in full, to prevent misunderstandings and any profound sulks they may lead to.
"We the people . . . ." This famous phrase opens the United States Constitution, is the name of several political organizations in that country, and in a slightly modified form ("We the peoples . . . .") begins the preamble to the Charter of the United Nations.
The phrase also contains an appositive, a grammatical structure that wreaks its fair share of havoc among pronouns. An appositive is a noun or pronoun placed next to, or very close to, another noun or pronoun in the sentence to rename it: his friend Elizabeth, the director Ang Lee, my sister the vampire.
When a pronoun is followed by an appositive, it’s easy to lose sight of the pronoun’s function in the sentence. The best approach is to ignore the appositive and, as with compounds, try the pronoun by itself in the sentence.
In the pronoun arena, form is everything. And choosing the proper form gets easier with practice. If you learn the right tricks, exercise them regularly and kick your bad childhood habits, soon your pronouns, and your writing, will be in top form.
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