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Quotation marks are so indispensable, they must have been around forever, right? Not so. In fact, they are relative newcomers to the punctuation fold, as Nicholson Baker explains in his essay "The History of Punctuation": "Even the good old comma continues to evolve: it was flipped upside down and turned into the quotation mark circa 1714 . . . ."
Since then, quotation marks have themselves evolved. Today they do much more than set off quoted words, though that remains their chief duty. But as their uses have multiplied, so too have their abuses. What follows is a brief rundown of both.
"By necessity, by proclivity, and by delight, we all quote"—so said Ralph Waldo Emerson. Whether we quote to present words precisely, to add colour or perspective, or simply to defer to someone who said it better, we enclose the words we borrow in quotation marks (though if the quotation is more than four or five lines long, we use block format and no quotation marks). Quotation marks ensure that we properly acknowledge another’s words instead of claiming them for ourselves.
Quotation marks serve other purposes too. They set off certain titles, usually those of minor or short works such as essays, short stories, chapters, articles, papers, short poems and songs. (Italics set off titles of longer, stand-alone works.)
Quotation marks also enclose words, letters and numbers referred to as themselves, though according to most style guides, italics can do the same.
As well, quotation marks set off newly coined or technical words that the reader will not likely know.
Finally, quotation marks may set off words that carry an ironic or unfamiliar colloquial meaning.
Not all style guides favour this use. Some do, including The Canadian Style and The Chicago Manual of Style; others, among them the Harbrace College Handbook for Canadian Writers and Diana Hacker’s A Canadian Writer’s Reference, caution against quotation marks for these purposes. Hacker is particularly adamant (if not a tad dour): "Do not use quotation marks to draw attention to familiar slang, to disown trite expressions, or to justify an attempt at humour." Regardless of where you stand on this use, it’s worth asking whether the slang you’re considering is stylistically appropriate in the first place, and whether your irony might come through as clearly without the quotation marks.
Looking around, you might conclude that placing quotation marks around special or selected words was the latest linguistic craze. Unaccountable quotation marks are everywhere—or "everywhere," as some would put it. In fact, there’s an entire Web site devoted to skewering specious quotation marks. Appropriately called the "Gallery of ’Misused’ Quotation Marks," it exhibits scores of real-life examples:
And so on. It’s easy to see why these quotation marks are misleading, if not downright off-putting. (Who, after all, would be tempted by "peas"?) Such examples suggest that some subscribe to the "punctuation as decoration" theory, seeing quotation marks as accessories to dress up plain words and phrases, lending them a flourish or flair they otherwise lack. But like too many bows or bangles, these useless quotation marks add nothing but distracting clutter.
There is no mystery behind double and single quotation marks, no ancient numerical formula, despite the assertions of those who use single quotation marks to enclose single words and doubles for anything longer. The real rule is simple: use double quotation marks in all cases, except to set off words already inside quotation marks.
This is the American style, which with very few exceptions prevails in Canada. The British style is generally the reverse, with single quotation marks the norm and doubles reserved for material already within singles.
The disparity between British and American quoting styles also leads many to fret over what to do with other punctuation in relation to closing quotation marks. Again, in Canada, the American style predominates: periods and commas go inside closing quotation marks; all other marks go inside if they belong with the quoted material, outside if they don’t. Colons and semicolons deserve a special mention. If they occur at the end of quoted material, it is conventional to drop them. As a result, they rarely fall inside closing quotation marks. You will see examples of the American quoting style throughout this article.
The British style commonly treats periods and commas like other punctuation marks: if they’re part of what’s quoted, they go inside the closing quotation mark (remember, with British style it’s a single mark); if they’re not, they go outside. However, the British style makes an exception for punctuation that divides a sentence of quoted speech. Such punctuation (usually a comma) always goes inside.
Confusing? You bet. To complicate things further, even the American style recommends adopting the British style in cases where punctuation placement is critical—for instance, in legal writing or in presenting information that must clearly include or exclude the punctuation.
Despair not—if writing in Canada for non-legal and non-technical audiences, just follow the American style. It’s the one that virtually all Canadian texts and publishers advocate.
Quoting is an enriching exercise, one that enlightens the writer as well as the reader. As Ian Thornley, singer, guitarist and lyricist of the band Big Wreck, put it, "Notice our lives are defined by what we steal." And that’s fine, as long as we admit to our theft with quotation marks.
Baker, Nicholson. "The History of Punctuation," in The Size of Thoughts: Essays and Other Lumber. London: Vintage, 1997.
Big Wreck. "Defined by What We Steal." On The Pleasure and the Greed, Atlantic compact disc, 2001.
The Canadian Style. Rev. and expanded ed. Toronto: Dundurn Press/PWGSC, 1997.
The Chicago Manual of Style. 14th ed. Chicago: University of Chicago Press, 1993.
"Gallery of ’Misused’ Quotation Marks" Web site (www.juvalamu.com/qmarks/).
Hacker, Diana. A Canadian Writer’s Reference. Updated 2nd ed. Scarborough: Nelson Thomson Learning, 2001.
John C. Hodges et al. Harbrace College Handbook for Canadian Writers. 4th ed. Toronto: Harcourt Brace & Company, 1994.
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